Cherchez La Femme

Well, it’s been a good long while.  And this isn’t a ‘real’ post so much as a drive-by thank you to all the folks who came along to Cherchez La Femme on Tuesday night to talk about fat and feminism with us.  Y’all were awesome and amazing, and it was great to have the opportunity for a public discussion about fat in such an open forum.

I’m also in awe of my co-panellists, Jenny, Elizabeth, and Lili, who were all incredibly articulate, generous, and damn funny to boot.  And of course massive thanks to Karen, who put the whole evening together.  It was a really fantastic night, and it’s reinvigorated my enthusiasm for fat activism and community.

I also wanted to post a few links to some resources for folks who might be new to fat acceptance (or just looking for new things to read).

First, some Melbourne fat groups you should check out:

Chub Republic – a newly formed group of rad fatties intent on changing the world through dance, fashion, and other joyful things.  Check out our inaugural Fabulous Fatshion Extravaganza on Sunday 11 September.

Aquaporko Melbourne – a fat femme (and femme-friendly) synchronised swim team.

 

We also mentioned (and in some cases, forgot to mention) a bunch of books.  These are a great place to start, but there’s plenty more out there.  Omission from this list is in no way condemnation; it’s necessary to get this post up.:

Screw Inner Beauty: Lessons from the Fatosphere, Kate Harding & Marianne Kirby (You can also read “The Fantasy of Being Thin” on the Shapely Prose archive.  Do it, it’s brilliant.)

Fat!So? Marilyn Wann

Revolting Bodies: The Struggle to Redefine Fat Identity, Kathleen LeBesco

Bodies Out of Bounds: Fatness and Transgression, edited by Kathleen LeBesco & Jana Evans Braziel

The Fat Studies Reader, edited by Esther Rothblum and Sondra Solovay

The ‘Fat’ Female Body, Samantha Murray

Health At Every Size, Linda Bacon

Big Big Love, Hanne Blanke (NB: A new edition is due out in September)

Fat & Proud, Charlotte Cooper

 

Also some blogs:

You should definitely read Elizabeth & Lili’s blogs (linked above), but there’s a whole big wide fatosphere out there.  Here are a few places to get started (ditto with omissions here):

Two Whole Cakes

The Rotund

Definatalie

Adipositivity

Fatshionista Flickr Pool

Notes from the Fatosphere feed (one of a number of fat-activists feeds)

 

Happy reading!

cultural capital, fitting in, and standing out

So, um, hello again.  It’s been a while.  A long while, actually.  Sorry about that.  I’ve been super-busy.  It’s been (mostly) amazing, but also exhausting.  A lot of things have happened.  My first time teaching (amazing! terrifying! fun!).  The fat studies conference (completely incredible!).  Stuff and nonsense of all sorts.  I’ve had lots of thinky thoughts but no time to write them down, which means they get all kind of bottle-necked and jammed up and then when I finally do get a moment, it takes a while to untangle the ideas and lay them out in ways that make sense.  This post will be long and probably not very neat or coherent as I try to fit all these ideas together.

Something that I’ve been thinking about a lot over the last few months is cultural capital.  Partly because it got a fair bit of play in the subject I was teaching, but also because it’s highly relevant to both my research and to certain events in my personal life.

The idea of cultural capital comes from French sociologist Pierre Bourdieu, who wrote a lot about class, taste, and social distinction.  Cultural capital is closely related to the idea of habitus – roughly, the idea that not only tastes, but also behaviours, comportment, and bodily styles are a product of social and economic class.  One of Bourdieu’s most oft-quoted lines is:

“taste classifies, and it classifies the classifier”

In other words, what you like says something about who you are.  By declaring a fondness for, say, vintage sundresses, I’m not only affirming said frocks as beautiful and valuable objects, but identifying myself as a particular type or person – alternative, but probably not too threatening; quirky in a whimsical way; indie but not rebellious.  I’m not saying that every girl in a vintage sundress fits the same mould, but that dressing in a particular style will identify me as a particular kind of person and associate me with particular attributes and ideals.  That is, if I can even find a vintage sundress that fits.

Which brings me to one way that cultural capital relates to fat.  Fat bodies lack cultural capital.  We’re devalued, othered, and outcast.  We’re desexualised, unfashionable, and made to bear the burden of failed citizenship. We’re excluded from participation in clothing cultures through sheer lack of options which accommodate our bodies (although this is, fortunately, changing).  Being excluded from being able to dress in a particular way has significant implications for participation in the rest of the world – in work, in leisure, in exercise, in social activities.  If I can’t find an appropriate outfit to wear to a job interview, I appear unprofessional and don’t get the job.  If I can’t find comfortable clothes to exercise in, it makes it harder to go to the gym.  If I can’t find bathers that fit, how can I join in with the fabulousness that is Aquaporko‘s fat femme (and femme-friendly) synchronised swimming? (But find a way because it is AWESOME!).  If I can’t find a cute vintage sundress, then what the fuck am I going to wear to hang out with my friends at whichever laneway bar we’re frequenting this week?  Even if I do manage to find a cute vintage sundress that fits (which is getting easier, thanks to uppity fats demanding fatshions, the internet and the relentless need of capitalism to always expand its markets), my body already classifies me as different.  I’m too big and too awkward and too solid for the whimsical femininity such a frock might attempt to reference.  Not only are fat bodies largely excluded from particular styles of dress, the presence of “too much” fat changes the meaning of those styles which are available.  Because no matter what I’m wearing, I am still a visual interloper.  The visible, visceral difference between me and them remains an obstacle to participation in this particular bit of life.

For some people the answer might be not to care what anyone else thinks, that it’s what’s inside, etc, etc.  Personally, I think that particular argument is so loaded down with neoliberal individualism that it exhausts me beyond words.

Being able to fit matters not only because I do care what people think, but because dressing in a particular style and going to particular places and participating in a particular form of cultural life of my city (ILU, Melbourne!) is important to my identity, is a part of who I am, is how I make myself in the world.

My concern with cultural capital isn’t only about fat.  Growing up, I was one of the least popular kids in school.  I was picked on for being different – for being fat, yes, but also for being poor, for dressing differently, for eating strange food, for having a dark-skinned father, for being excruciatingly shy to the point where sometimes I literally could not speak.  At one point in early high school, my best friend decided to stop speaking to me and the rest of the group followed her lead.  I had no friends for several months until we reconciled.  Traumatic times.

So when I say that I’ve had a background obsession with fitting in, with understanding and cultivating cultural capital for most of my life, I’m not exaggerating.  Not that I’ve been particularly successful in cultivating this capital, more that I’ve been acutely aware of my lack of success.  I’ve always known that my body (and my economic status, and my social inelegance) excludes me from not only certain fashions, but certain identities – hipster, for example, was never an option despite my “obsessive, often self-deluded, pursuit of inner-city cool” and aforementioned penchant for laneway bars.

Given my history, one of the things that never ceases to amaze me about my adult life is that I have a surprisingly large number of excellent friends.  From long-term, intimate friendships to drinking buddies, I’ve somehow become…popular?  I have a pretty full social calendar, anyway, and a sense that I’m incredibly lucky to be so well loved.  Which is not to say that my adult social life has been without challenges.  I’ve lost friends who’ve drifted away or fallen out or gotten involved and never been heard from again (where are you, S?).  Being chronically single for most of my life was also challenging.  There’s a huge amount of social (not to mention economic) capital which goes with being partnered, especially for women.  Knowing how little sexual capital fat people generally have didn’t help, despite my sound disdain for compulsory heteronormative coupling and a biting analysis of the damage done by the dominance of romantic mythology.  (I have a whole other post brewing on why sexual desire and desirability matters and is a valid grounds for fat activism.)

When I started dating The Socialist a year-and-a-half ago, I was painfully aware of his lack of cultural capital.  On our second date we went out for brunch, and was astonished to see avocado on toast on the menu as a breakfast food, thus demonstrating to me beyond all doubt an unforgivable lack of sophistication.  Fortunately, he’s an open-minded and adventurous type who ordered the damn avocado (and enjoyed it).  A year and a half later, he’s still not very sophisticated.  He doesn’t wear trackies to parties anymore, but he still says the wrong thing at the wrong time.  He can be painfully awkward in group situations and he doesn’t always pick up on social cues.  He doesn’t get irony and sarcasm.  But he is undeniably good-hearted and loving and generous, and still willing to go on just about any adventure I can concoct, and makes me happy in the most ridiculous ways.

When we first started dating, I wasn’t sure what to do.  For the longest time I was conflicted.  I would warn people of his awkwardness, his lack of cool, in advance of introducing him.  Trying to manage the potential impact. An old friend once described this sort of thing as “trying to cover your ass while saving face”.  It’s a tricky manoeuvre.   I was afraid that by associating so intimately with someone who not only didn’t have, but didn’t care about the cultural capital I had worked so hard to cultivate, I’d loose what little I had.  I was afraid that my friends would reject him and in doing so, reject me.  After the trauma of highschool, it was the worst thing I could imagine.

Well, the worst thing I could imagine is actually what happened.  We’ve been effectively ostracised by one group of friends; him directly, me by association.  And it turns out, it’s not that bad.

It’s hard to say why without reducing it to the same individualist narrative that I find and misleading and useless.  It’s not because I suddenly stopped caring about cultural capital (I certainly didn’t), or because romantic love is the most important thing (it’s definitely not, and if the rest of my friends weren’t saying how lovely they think The Socialist is, I’d be writing a very different post).  I think partly it’s ok because I was always on the edges of that particular group anyway.  I didn’t have the history (one of the things about having moved cities several times is that other people will always have been around longer than me), or the indie music credentials, or access to quite the right kinds of clothes, or the ironic sense of disregard for the impact my words might have on others.  And while I still care about those things (well, not that last one), there’s some small pressure that’s dissipated.

Mostly, though, I think it’s about you.  Fat community.  The blogs and the twitters, and the fat studies conference and aquaporko and hanging out at hipster bars with other rad fatties.  With changing the context and the meaning of fat, even if only in little corners of the world (at a time).  With the ways that we’re making spaces both on and offline where fat bodies are normalised and valued.  It’s what we do when we write and talk and swim and dress up and dress down and move and sit and eat and hang out and offer support and make theory and tell our stories.

And what we do is fucking amazing.